Meriheini Luoto is a Helsinki based composer and multi-instrumentalist focusing mainly on violin, nyckelharpa, electronics and vocals. Her compositions often have their basis in improvisation, timbre qualities, the experiential, and intuition. The possibilities offered by different architectural spaces inspire her to seek new and unusual ways of performing and experiencing music. With an adventurous mind and the knowledge of Scandinavian folk music tradition she creates soundscapes of something truly old and new at the same time.

 

 In 2017 Meriheini released her debut album Metsänpeitto (lit. covered by forest) which has been critically acclaimed and nominated for the Teosto Prize, which is one of the most noteworthy art prizes in the Nordic countries. A sequel to the debut album ’Metsänpeitto 2’ was released in September 2019.

 

As a performer, she has been heard at several festivals both in Finland and abroad for over a decade. Most recently she has composed music for the ’Prima Facie’ play at The Finnish National Theatre and a piece for the Finnish Radio Symphony Orhestra’s violin section. She also plays in the band Akkajee along with a viola player Iida Savolainen.

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Meriheini holds a M.Mus majoring in folk music from the prestigious Sibelius Academy. She’s been performing in Canada, USA, Germany, Spain, Switzerland, Sweden and Finland among others. Her work has been supported by The Arts Promotion Centre Finland, Kone Foundation & MES. 

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”Most thrillingly, Finland's own Meriheini Luoto brought a spine-tingling intensity to frantic, frazzled, looped violin concoctions” All About Jazz, 2023, Flow Festival review

”Meriheini Luoto performs the violin drone of “ILO OLI ILO OLI ILO” to a seated audience and it feels like you’re in different era in time” The Line of Best Fit, 2023, Flow Festival review

 

"For those inclined towards more experimental musical endeavors, there's, among others, Meriheini Luoto, an avant-garde violinist who graced The Other Sound stage at Kattilahalli. She delivered a meditative moment on the festival’s opening day. Attendees sat in the dim expanse of the factory hall, seemingly entranced by the composer’s improvisations – at times using her violin and at others, her voice – in a rhythm that alternated between intensifying and fading, occasionally disrupted by an almost surreal, throbbing resonance. The backdrop of visuals, resembling bursts of soap bubbles, played a significant role in enhancing the overall impact"   FMQ, 2023, Flow Festival review

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